Category Archives: Day of the Dead

Laurie Lipton, Eclectix Interview 27

Laurie in action, at her drawing table

Laurie Lipton was born in New York and began drawing at the age of four.  She has lived in Holland, Belgium, Germany, France, London and most recently – Los Angeles, California. She creates wonderfully detailed and super tight renderings of haunted Victorian scenarios, working mostly in black and white (pencil, charcoal and etchings). Laurie’s surreal worlds contain narratives of ghostlands – staid skeletons, vintage housewives and Big Brother – all hold court in a tapestry of gothic science fiction. Modern postcards anointed with mischievous glee, political stabs, fancy lace perfection and Steampunk environs. The mistress of all pencil pushers – Laurie gives M.C. Escher a run for his rendering money. She creates a layered universe of detail –  on one single sheet of paper, labored tableaus of extraordinary thought, dark beauty,  humor and skill.

Lady Death – Laurie Lipton
My favorite art memory from my childhood is … lying on the floor of my parents bedroom… drawing. I drew bloody scenes of cowboys & Indians killing each other.

Love Bite - Laurie Lipton

My interest in art/painting started ….  at the age of three. My father used to take us to museums on Sundays to give my mother a break. I used to pick one picture & stand in front of it for at least an hour. It was very odd seeing a small child standing so still for so long, and I used to attract a crowd around me. I remember trying to burn the images into my eyeballs so that I would remember them always… and it worked!

The Umpteenth Anniversary - Laurie Lipton

 
I am often inspired and motivated by…. the thoughts in my head.

On - Laurie Lipton

If I could spend the day with any artist (dead or alive) it would be…
Jan Van Eyck   And we would … paint.

Bone China - Laurie Lipton

The tip or art technique (a specific tidbit of craft, advice or mechanical expertise) that has helped me the most is …  working my butt off to the neglect of everything else. There are a lot of  brands & materials out there. The best way to find the perfect one is to constantly experiment.

The Knitter of Bones - Laurie Lipton

If I could own one piece of art, out of the world’s collections, it would be …
“The Lamb of God” (aka “The Ghent Altarpiece”), below, by Jan Van Eyck.

"The Lamb of God" (aka "The Ghent Altarpiece") - Jan Van Eyck

 My favorite piece of my own art is… the next one
because…  it is full of potential.
My ultimate project or fantasy is …  to create a walk-in drawing for a solo show at MOMA in NYC.

Collateral Damage - Laurie Lipton

The last song I choose to listen to was …  Scarlatti’s “Caldo Sangue” sung by Cecilia Bartoli.

Lifted - Laurie Lipton

The last book I couldn’t put down was … “The Tao of Physics” by Fritjof Capra
My favorite word is …  “possible”…
You did a gorgeous color series titled “Splendor Solis” (below) . Can you tell us a little about it?   Splendor Solis” was one of the illuminated manuscripts I was commissioned to re-interpret by a privately owned alchemical library in Amsterdam. The original drawings are now in a vault along with a collection of Rembrandt etchings and in centuries to come, someone will say, “Who is this artist in the vault with Laurie Lipton??”  Or not…

Splendor Solis, The Sun and The Moon, colored pencil - Laurie Lipton

I can’t live without … my drawings.

Laurie Lipton

It’s not hip, but I really love …  opera
My favorite motto (or quote)  is….
“Be regular & orderly in your life so that you may be violent & original in your work” G. Flaubert

Laurie Lipton

You work usually in black and white –  beautiful graphites and lately some etchings. Can you tell us how & why you chose this medium?
I tried to teach myself how to paint like the early Renaissance Masters but couldn’t figure out the complicated egg-tempera technique. While I was a poor student traveling around Europe, I couldn’t afford paint so I began to use pencils more & more. They were cheap & convenient. I developed my own peculiar way of drawing using thousands of tiny lines to build-up tone, mimicking egg tempera painting technique. I was also inspired by the frozen, disturbing photos of Diane Arbus. I realized that black & white had an atmosphere all its own and that it was perfect for the imagery I was exploring.

Laurie Lipton

 Laurie’s  Portfolio  &  Website  Link

 

Click here to buy Laurie’s incredible book…

 And scroll down that same page to check out her stylin’ custom tees.

Christine Benjamin, Eclectix Interview 21

Photo of Christine by Michael Foley, Hat by Lacey

“I like the idea of death being teased by my little bratty sock monkey character…”

Sock Monkey - Christine Benjamin

Christine is a true local, home grown in San Jose, one of the original Berryessa clan. A fantastic artist and all-around great person – full of life, vitality and cheer. She is a painter, illustrator and art doll maker; creating colorful, quirky and vibrant imagery of all sorts. Space women, skeletons, monsters, sock monkeys, robots and mod girls –  in various playful antics. Accomplished in so many medias, it’s hard to pin down her one strength. She is a seasoned professional and was always communicative, prompt and reliable whenever Eclectix worked with her on exhibits. Humble, accessible and enthusiastic without the overly sensitive baggage many artists carry around. Her art reflects her sweet and talented personality, shining through the darkness, transforming the scary into the fun and our fears into celebrations.

Christine Benjamin

My favorite art memory from my childhood is … I used to make paper dolls and puppets for my younger sister. The paper dolls would be fashion proportions – so very long legs and I would make them lots of clothes to wear – that were in style at that time. I would make my sister and I puppets from socks or paper bags and we would put on shows for our friends.

Mod Girl, felted doll - Christine Benjamin

My interest in art/painting started …  when I was 1 year old. My mother gave me crayons and paper and kept buying me art supplies when I would run out. She would always have friends that we would visit and they wouldn’t usually have kids my age so I would bring paper to draw on to entertain myself.

Beetlejuice - Christine Benjamin

I am often inspired and motivated by … My sister motivates me to push myself in different directions. She will see something in a sketch that I’ve done and help me to see it in a different way – a certain story or meaning that I maybe didn’t intend. My good friend Tracy who is an amazing artist always sees the other side of what I am working on and this helps me to complete the story. He will always give good critiques that help me push myself farther. My son draws really fun characters and it inspires me to loosen up. I also love classic monster and SciFi Movies, and reading comic novels.

Dead Dude - Christine Benjamin

If I could spend the day with any artist (dead or alive) it would be … Jim Woodring who is an awesome artist – comic artist. (below)

Divinorum - Jim Woodring

And we would… get coffee and talk about his concepts for his comic novels and then go back to his studio to paint or draw. His drawings and paintings are beautifully colorful and the imagery is crazy. I met him in person a few times at Comic Con and he is very humble and a genuine nice person.

Oh Beehive - Christine Benjamin

The tip or art technique (a specific tidbit of craft, advice or mechanical expertise) that has helped me the most is …. I would say for artists to always have a sketch book and pencils, pens with them. That way if you get an idea you can sketch it or write it down. Ideas come quickly and if I don’t write them down I will usually forget. I have so many sketch books and I always refer to them for for ideas.

Inside cover spread of journal - Christine Benjamin

If I could own one piece of art, out of the world’s collections, it would be …Frida Kahlo’s “Self Portrait With Monkey”  because she is one of my very favorite artists and this painting is my favorite. She put so much expression into the monkey’s faces and the detail in her face, clothes are delicate and beautifully rendered.

Christine Benjamin

My favorite piece of my own art is … a painting I did called “Teasing Death”. (see image below) It shows a skeleton chasing a sock monkey who is carrying a donut. I like the idea of death being teased by my little bratty sock monkey character – Chico. The skeleton looks sad and pathetic and the sock monkey has a smug look on his face.

Teasing Death - Christine Benjamin

My ultimate project or fantasy is … It would be to have my dolls come to life in a short movie – stop motion. I would love to create any characters that I want and my own story and have enough time to do something incredible.

Sea Creature Doll - Christine Benjamin

The last song I chose to listen to was … “Super Rad” by The Aquabats. They are one of my favorite bands – really fun guys dressed in super hero costumes fighting monsters on stage.

The Devil Took My Records - Christine Benjamin

The last book I couldn’t put down was …Wearing Dad’s Head” By Barry Yourgrau. A compilation of short bizarre stories.

Tiki Beat - Christine Benjamin

I can’t live without … my art supplies and my dog “Mr. Bon Bon”. I have to make art and I love being with my little fluffy dog.

Christine Benjamin

It’s not hip, but I really love … oatmeal with honey.

Martian Girl - Christine Benjamin

My favorite word is … chiaroscuro. ( Definition: The treatment of light and shade in drawing and painting and/or An effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something.)

City Stroll - Christine Benjamin

My favorite motto (or quote)  is…. “If your ship doesn’t come in, swim out to meet it.”  by Jonathan Winters.

Let It Go - Christine Benjamin

Christine’s – Website 

Wilomena - Christine Benjamin

LINK to the current Eclectix website – art news & exhibit listings

(This entry was  originally posted on 6/1/11 and transferred here –  as we are discontinuing our other blog site)

Transferred comments:
Willow Glen Norma
I love how the images sneak into my psyche — makes for some sweet dreaming!  Love your work Christine.
Thursday, June 2, 2011 – 12:06 PM
I love the inside spread of your journal…it would be cool to have a whole “Christine Room” somewhere covered with the characters. I really need to get better about sketching myself…you’re inspiring me!
Thursday, June 2, 2011 – 02:24 PM
Anonymous
Chris, I can’t wait for the stop-motion movie with your dolls. You’ll give Tim Burton a run for his money.
Britta;-}
Thursday, June 2, 2011 – 02:52 PM
Anonymous
You’re a wonderfully talented artist and an amazing gal. Thanks for sharing your creativity and whimsy! -Carrie
Thursday, June 2, 2011 – 04:43 PM
Christine and Clementine
We love your new art work.  Bouffant is a unique one.  Miss you.
Thursday, June 2, 2011 – 07:46 PM
Christine Benjamin
Thanks so much everyone for all the awesome comments! You all keep me going!
xo,
Christine B.
Thursday, June 2, 2011 – 08:27 PM
Christine Benjamin
And a BIG thanks to Patricia for the super interview!
xo,
Christine
Thursday, June 2, 2011 – 08:29 PM
Paul from Sun Jose
Thank you so much for even more details on your incredible life Christine.  Your art always creates fun, and humor in my mind!  I will have to bring up more chiaroscuro conversations next time I see you.  hehehe
Paul
Thursday, June 2, 2011 – 10:20 PM
Anonymous
rock on Christine! great piece about you and your work!!
Thursday, June 2, 2011 – 10:27 PM

Dean McDowell, Eclectix Interview 12

Dean McDowell

“ When you experience or see things no child should, it really does manifest itself in the psyche. I certainly wouldn’t say it helped form who I have become but it does put a lot of crap into perspective …” 

Rainy Day Blues - McDowell

Dean is an exceptional newbrow artist who has shown works with Eclectix in the past. His acrylic portraits have a wonderfully deep base of fleshy, thick textures and layered strokes, some hint of mummy wrappings. The images evoke emotion, red eyed from crying, some bruised and bloodied by life or it’s vampires, some lipstick smeared and hinting of violent encounters. They may have been victims, hardened by abuse; becoming cold and indifferent as a form of self-defense and survival. In spite of it all, beautiful and sensual colors bleed through, and a strong and silent resolve matures.

Dean McDowell

 Can you tell us where you were born and a little history about your childhood?  I was born in Gransha, a small town land near the Mourne mountains, Northern Ireland. The best word I can use to describe my childhood is mischief, I was pretty wild from an early age and growing up in a rural setting made adventures a standard occurrence. Being so isolated lead me to art early in my life, I loved nothing more than to sit and sketch something like a piece of rusted barbed wire hanging from a post.

Programmed - McDowell

Is there an event or experience that helped form who you are today? Simply living in Northern Ireland, growing up through the ‘troubles’ has given me a skewed perspective on life. When you experience or see things no child should, it really does manifest itself in the psyche. I certainly wouldn’t say it helped form who I have become but it does put a lot of crap into perspective, it gives me a grounding I will never lose. When people first discover my artwork they find the imagery can be dark but in all truthfulness, the work I have on show through either galleries or online, although personal, is by no means a dark window into my soul, it is merely my perspective on the emotions of others.

Mike Mignola’s "Hellboy"

What was first piece of art that you remember creating? The media?  You know I wish I could remember but thinking back I was always doodling, mostly in pencil or charcoal. Actually my first really fond memory is getting an early taste for American comics, trying to copy the style or creating my own. A particular favourite? So many but when I really got serious about comics in the 80′s I always followed the work of Mike Mignola (above), from the pre Hellboy era right to present. I still check out the latest Mignola offerings, his style is so unique and beautifully bold. I simply remember being blown away by the artistic style of that era; this of course was before the UK fought back with the now legendary 2000AD series. So yeah, my early creations were heavily influenced by the comic genre.

BitterSweet - McDowell

What generally inspires you to create a piece?  Life, it’s that simply. It inspires, depresses, anger’s me on a daily basis. Whether I’m simply watching people go about their daily routines or listening/watching the worlds ‘lifecasts’ though the media, you cannot help but to be inspired. Actually, I find most new paintings will constantly evolve as the inspiration pulls me in many differing directions. In fact, I am certain no one painting I have finished has ended how I imagined it would at the beginning.

The Lady of Shalott (1888) - John William Waterhouse

If there was an artist, dead or alive, that you could spend 24 hours with; who would it be and what would you do?  God, that’s such a hard question to answer, there are so many wonderful artists past and present I would love to share thoughts with. One artist I studied in college was John William Waterhouse, I have always loved both his subject matter and artistic technique. (above) The first time I came across his works I was simply in awe, that hasn’t changed. Of those living in this modern age of art, I would say Mark Ryden (below), perhaps a very common choice but nonetheless his artwork has that otherworldly feel but screams out with a cultural voice. I’m sure he would be a very interesting man to spend some time around.

Mark Ryden

What materials, specific brand of paint/glue/pencil do you prefer to use? A favorite? And why?  Nothing specific, anything that’s at hand is good although I must admit, the technique I have developed means I go through an extraordinary amount of paint brushes. If anyone has come across an extremely hard-wearing brush please let me know.

Savage Smile - McDowell

Is there a technique, procedure or tip that you have discovered, you could pass onto other artists?  With my acrylic works I tend to use multiple layers to build texture and focus on low relief colours, once I am nearing completion of a work I will often water down the acrylics and use them as watercolours, this helps finishing tones and blends. Trail and error is the best method of finding a technique that is often unique to ones work.

(Click to see larger textures )- McDowell

Your works have killer thick and contrary under-textures, would you share how you build these and with what?  When I first start a canvas I will do a preliminary sketch of what’s in my mind for a finished work, I shall then block in very basic bold colors that can be worked over and give that textured layered look. Generally all paintings are started with really heavy acrylic but as it progresses the paint gets watered and lighter until you get a near watercolor finish.

Monster - McDowell

What is your favorite word? Last song you chose to listen to?  Favorite word – Cruthine(An asteroid in orbit around the Sun) The last song I listened to, or am currently listening to as I write is “Black Bullet” by Die So Fluid.

Boreas (1902) - Waterhouse

If you could pick one piece of art to own, out of the world’s museums, personal collections and galleries, what would it be? Not being picky although I do have my favorites, any works of art by Waterhouse. (above)  The works of Waterhouse have been a constant in my life, studying or simply admiring them I can’t help but to forever be awed by the mans work.

Dean McDowell

Of all your works, what is your own personal favorite? Actually I don’t have a favorite, every work I produce I feel I could have improved upon it. In all honestly I am my own worst critic, at times I’m not sure how I produce anything. Frustration is a good word to sum up my time spent in the studio, I constantly battle my inner doubts.

Disconnected - McDowell

What is the last piece you completed? What triggered the imagery in it?  The last work completed was a painting for the “Twilight Journeys” show at the Alternative Cafe, the work is called ‘Disconnected’. (above)  Its a 30x30cm painting on box canvas and the imagery is very much an emotive piece relating to grim emotions and how even being totally disconnected from everything around you, we as individuals cannot escape life’s ever presence.

Not Everyone Gets A Happy Ending - Dean McDowell

You recently became a father, right? How has that impacted your art? Any tips for new parents trying to keep up with their art?  That is correct and what a wonderful if frightening time that was and of course is. It impacted my art to the extent that I have basically had to take an 18 month break from all things art, unrealistically I thought I’d be away from things for 3 maybe four months, how naive I was. The only tip I can give is to not have any shows lined up for at least a 12 month period, IF you don’t have the works already finished and of course, enjoy every minute…..

Dean McDowell

What was the last event/movie/art/anything that really moved you emotionally? I still haven’t gotten over the birth of my daughter, god I was so unprepared. More recently and on a stranger note, I have been studying the emotional instability of children’s authors. So many talented people wasting so much of their lives through insecurity and self doubt but when they did manage to gather enough emotional togetherness to achieve their goals the results were astounding.

Hidden Thoughts - McDowell

Any last words or commentary; good or bad you would like to share or get off your chest? A favorite quote?  Just a simply thank you for those who have taken an interest in my words and works, hearing comments or feedback good or bad is always meaningful and very much appreciated.

Be Absolute - McDowell

For more Dean - On FaceBook:  click here.

Website: http://www.deanmcdowellartist.com/index.html

Contact: deanmcdowellartist@gmail.com

LINK to the current Eclectix website – art news & exhibit listings

(This entry was  originally posted on 10/19/10 and transferred here –  as we are discontinuing our other blog site)

El Cerrito Art, 34th Annual Show and Sale

Floral Mandala by Barbara Rockhold

Previewed the local El Cerrito Art Association’s 34th Show before the opening reception tonight. A large show full of all different media, styles and eclectic emotions. Lots of traditional realist imagery, some very masterful, a sprinkling of satisfying non-traditional with a few Eclectix artists in the mix as well. Definitely worth a long walk thru and some are worthy of extended ponders. Favorite picks from the exhibit preview are below, just a few, there were so many. With the photography and the watercolors, getting pictures was mostly impossible due to the framed glass reflections, hence my picks are unfortunately edited… 

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If you live locally try to make it out, the exhibit is only 3 days long, ending October 3rd. Help support your local artists, most the art is for sale at really great  prices.

For more infoclick here.

LINK to the current Eclectix website – art news & exhibit listings

(This entry was  originally posted on 10/1/10 and transferred here –  as we are discontinuing our other blog site)